"Looking Good." SSENSE, July 2021.
"How Santu Mofokeng Shaped South African Photography." New Yorker, February 2020.
"Between Pathos & Seduction." John Edmonds Exhibition. Company Gallery, June 2019.
"Bisi Silva Changed the Way We See African Photography." Aperture, February 2019.
"Black is Brilliant," In Conversation with David Hartt. Aperture, March 2018.
"Across a Racial Divide: Images of Everyday Life under Apartheid." The PhotoBook Review, November 2017.
"Monochrome Lagos." Africa is a Country, May 2016.
"Emotional Cartographies," In Conversation with Mimi Cherono-Ng'ok. 1:54, October 2015.
"Along the Constant Horizon: The Territories of Mame-Diarra Niang." Another Africa, September 2015.
"Looking Good: Glamour Across Time, Portraits Holding Still." SSENSE. 2021.
"A Manual For Things Unseen." Billie Zangewa Exhibition. Lehmann Maupin Gallery. 2020.
"Zanele Muholi: Repertoires of Resistance." (Cover Piece) Tate Etc. 2020.
"How to Haunt History." Manual: A Journal about Art and Its Making. Providence: Rhode Island School of Design. 2020.
"David Hartt," in Among Others: Blackness at MoMA. New York: Museum of Modern Art. 2019.
"Seydou Keïta and Malick Sidibé," in Black Refractions: Selections from The Studio Museum in Harlem. New York: American Federation of Arts. 2019.
"A Modest and Hidden Complexity: The Legacy of David Goldblatt's PhotoBooks," The Photobook Review. New York: Aperture. 2018 (15): 24–25.
"On Sebenzile and Sibusiso" in Zanele Muholi: Somnyama Ngonyama: Hail the Dark Lioness. New York and London: Aperture and Autograph ABP. 2018.
"Allison Janae Hamilton: The Makings of Landscape," in Fictions: The Studio Museum in Harlem. New York: The Studio Museum. 2018.
"From Deconstructed Spaces to Emotional Cartographies," in Recent Histories: Contemporary African Photography and Video Art. Göttingen: Steidl. 2017.
"From the Quotidian to the Monumental: The Wayfaring Ways of Edson Chagas and François-Xavier Gbré." IMA Magazine, 22. Tokyo: IMA. 2017.